Contents

Idaho Librarian
Vol. 56, No. 3/4

Materials
for Review


                    Review
Author Saunders, Richard L., Editor
Title A Yellowstone Reader: The National Park in Folklore, Popular Fiction, and Verse
Publication  Salt Lake City: University of Utah Press 2003
ISBN 0-87480-756-5 (pbk: alk. paper) $17.95
Reviewed by Bob Hook, University of Idaho Library

 

Richard Saunders, curator of Special Collections and Archives at the Paul Meek Library, University of Tennessee at Martin, started the research for this book while at Montana State University, Bozeman. His goal was to present “a definitive record of Yellowstone in fiction to date” (p xi). The works he chose for reproduction in the reader are those he deemed “emblematic of a particular literary genre or subgenre … [those which] illuminate distinct periods in Yellowstone cultural history of tourism … those in which Yellowstone figures most prominently … [and those which] even an interested reader would find difficult to secure in the original” (p xi). All the others appear, by genre, in the annotated bibliography. In the preface he sounds a note of caution: “Don’t get wrapped up in trying to follow the geography or the ‘history’ that is presented in these stories, as virtually none of it is real” (page xiv). He also warns that things the modern reader might find racist, sexist, or otherwise offensive are part of these historical documents.  “… [T]he language some may perceive as disparagements or slurs cannot be censored without smugly sacrificing an informed understanding of the time or culture on the altar of modern cultural arrogance”  (p xv).

Saunders introduces each selected work with information about the author, the story or poem, and the society and times in which the work emerged. Notes appear at the end of the book.

The poetry is interesting and includes everything from descriptive narratives to comic historical poems. Saunders’ choice of fiction covers a broad spectrum. It ranges from dime novels such as Diamond Dirk by Prentice Ingraham to pure fluff like Chaperoning Adrienne by Alice Harriman-Browne to better-known literature such as Owen Wister’s “Bad Medicine.” The tall tales include anecdotes from people like the tour guides who had to field questions such as what makes the Yellowstone River so crooked or whether the ice is hot when the hot springs freeze in the winter or what the eagles do with their nests when they leave for the winter. The fiction (prose and verse) makes for fun reading, and it can be the vehicle for insights into social conditions and values of a particular era.

The indexes (one by subject and character and one by author) include works in the annotated bibliography as well as those in the body of the anthology. This appears to be the first book to pull together fictional works in which Yellowstone Park plays a central role. It offers a glimpse into the history of the park and the people who worked and visited there. I would recommend this book to anyone interested in the West, the New West, or Yellowstone Park. Academic, high school, and public libraries should consider purchasing A Yellowstone Reader.