Contents
Materials available for
Review |
|
| Reviews |
 |
| Editors |
O.
Alan Weltzien and Susan N. Maher. |
| Title |
Coming
into McPhee Country: John McPhee and the Art of Literary Nonfiction. |
| Publication |
Salt
Lake City: University of Utah Press, 2003 |
| ISBN |
0-87480-746-8 |
| Reviewed By |
Leonard Hitchcock
Eli M. Oboler Library, Idaho State University |
During the Thanksgiving vacation of 1992, a
few friends and I took a trip from Pocatello to Sonoma, California. There were two primary goals for the trip: first, to taste a
lot of wine; and second, to visit road cuts on Interstate Highway 80
between Reno and Sacramento. My
interest in wine was a longstanding one; road cuts, on the other hand,
hadn’t intrigued me until about a month before, when I had read a long,
three-part article in the New Yorker entitled “Annals of the
Former World: Assembling California.”
The article (which later appeared as a book) dealt with the
historical geology of the state, a dry subject, one might think, but the
writer made it stimulating, dramatic and somehow personal.
The author was John McPhee, who, at that time, had been a staff
writer at the New
Yorker for thirty years.
I realized later that I’d read a great many of his articles, on
topics ranging from Bill Bradley (when he was a professional basketball
player), to oranges, to canoe making, to the Merchant Marine, and I still
occasionally discover that an essay that sticks in my mind after fifty
years – like the one about Tabasco sauce – turns out to have been by
McPhee.
Because McPhee included in his “Annals…” article an account of a
road trip along Interstate 80 in the company of a geologist, and because
he gave detailed accounts of the locations of the geologically interesting sites,
especially those road cuts that best exposed the ancient history of the
land along the highway, it was relatively easy to imagine driving the same
route, following along with the article, and stopping where he had
stopped. And that’s exactly
what we did. It was an
extraordinary trip. No doubt
the motorists roaring by on the highway found it curious that a little
group of people were to be seen peering closely at a rock face, and
frequently consulting a magazine and pointing.
John McPhee has become one of the most celebrated authors of non-fiction
in the United States.
He currently occupies an honorary chair in journalism at Princeton
University, his alma mater, but continues to be primarily a writer. He has published 27 books, become a member of the American
Academy of Arts and Letters, won a Pulitzer Prize for Non-Fiction and
received eight honorary degrees.
His genre is often called “literary nonfiction,” to distinguish it
from ordinary journalism.
He is both a reporter of fact, and an artful shaper of narrative
employing the tools of the fiction writer.
Few writers living can compete with McPhee in making apparently
mundane subjects fascinating. In
the book under review, someone is quoted as saying, “I can’t believe I
read a whole book about oranges!”
Though he has written about a wide variety of subjects, McPhee is best
known for his interest in, and accounts of, the natural world. He
has no training as a scientist, but his ability to interview scientists,
conduct background research, and then communicate scientific information
to the layman in a interesting and engaging way, is unsurpassed.
On environmental issues, McPhee describes himself as “neutral,”
but most readers have found him to be a remarkably effective voice for the
conservation movement.
Coming into McPhee Country is the first collection of essays
devoted to an analysis of the works of John McPhee.
It contains fourteen essays, and an excellent introduction by the
editors. There is a good deal
of biographical information conveyed, though the focus is upon his career
as a writer, and the interview with McPhee conducted by Jared Haynes is
particularly interesting. The
essays are academic in character and bring to bear upon McPhee’s works
current techniques of literary criticism. The average reader will probably find these discussions
rather unpalatable. Academic
libraries, however, will want to acquire this book to support English
department courses dealing with nonfiction prose.
For public libraries, the book is a questionable choice, though the
works of McPhee himself are all highly recommended.
To learn more about McPhee and his writings, there is a web site
created by his publisher at http://www.johnmcphee.com/.
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